The Sunday service at Guardian lasts all of 60 minutes (give or take). It is filled with Scripture, music, confession, communion, and a lot of thoughtful preparation and dedicated service. I recently processed through the man hours that are involved in bringing you one 60-minute worship experience, and- believe it or not- each worship service at Guardian involves as many as 200 hours of prep work in God’s people bringing God’s Word to your heart. So… I thought I’d take a few moments to give you a sneak peek at the goings-on behind the scenes.
THE ORDER OF WORSHIP
Guardian subscribes to “Creative Worship for the Lutheran Parish”, a Concordia Publishing House contribution that focuses worship services upon weekly gospel themes. Although it would certainly be easier to use the same 3-4 liturgical formats found in the front of the hymnal each week, Creative Worship capitalizes on the rich theology of the lectionary series of the church year; i.e., we follow a universal three-year cycle of readings that walk us through 1) the life of Jesus, and 2) our life in Jesus, focusing on each of the gospels one year at a time.
Great care and thought are given in editing the services to bring a creative, yet consistent approach to worship. As senior pastor, I take it upon myself to prepare the order of worship for virtually all worship services at Guardian.
THE SELECTION OF HYMNS
Hymn choices are arrived through a variety of criteria. Traditionally, Guardian has not confined herself to only Lutheran hymnbooks, but certainly finds the large majority of singing from the time-tested hymns of the faith in Lutheran hymnody. The simple test of hymn selection is 1) it is biblically based and Christ-centered? 2) it is sing-able? 3) it is thematic… because hymns draw our focus to the overall theme of the day?
Additionally, as pastor, I operate under a set of pastoral guidelines that help me process through the placement of congregational singing.
1) We will generally not sing more than one unfamiliar hymn on a given Sunday. It is quite frustrating to try to sing song after song that is unfamiliar. Guardian loves to sing out, we are much less inclined to sing out if we are not confident in how we should be singing.
2) I usually try to break up long (6-7+ verses) hymns throughout the service, or cut back altogether. There is a tediousness to singing 10 verses of a hymn in one sitting.
3) Trick of the trade: I try to keep the closing hymn upbeat and short. It’s a good thing if you’re still whistling the closing hymn two hours later!
4) Tempo and meter are factors in the seasons of the church year. Reflective and troubling tempos are natural fits for Lent, not Easter.
THE INSTRUMENTATION OF THE HYMN
Much thought and preparation is given to the way in which a hymn is musically offered to the congregation. From the instrumentation (organ, digital keyboard, grand piano, brass or percussion support, etc) to the delivery (the musical interpretation of each verse), there is a careful thoughtfulness to communicating God’s Word set to music. In my years of ministry, I have not found an interpreter of verse more poignant than our very own music director.
THE MUSICAL VARIATIONS ON GOD’S WORD
Choir and bell anthems are strategized based on the themes of the season. Each five minute choir anthem, for example, delivered on a Sunday morning requires roughly 60 man/woman hours (30 choir members practicing for two hours) to pull it off. Imagine the prep time for every bell choir anthem, children’s choir, soloist, instrumentalist, etc. The “service time” in glory to God adds up very quickly for every musical offering.
AUDIO VISUAL MINISTRY
Trivia question: What individual attends the most worship services at Guardian in a given year. Pastor A, right? Wrong. The correct answer is Don and Donna Ryktarsyk. Although every item that appears on the screen is processed through Pastor A, the Ryktarsyks- with the help of a team of dedicated volunteers- lead, load, and launch it all. Sunday after Sunday, service after service, both visual and audio ministry finds itself in the sure hands of Don and Donna who spent an enormous amount of weekly time prepping for a flawless delivery of sight and sound.
Currently, the senior pastor generates all visual presentations (weekly readings, communion hymns, sermon powerpoints, etc).
THE RUBRICS
Rubrics are the rituals or ceremonies surrounding the worship service, such as altar preparation, ushering, acolyting, communion set up, etc. Each worship service has a team assigned to prepare the added elements of worship as necessary, be it the addition of a baptism, or the changing of the paraments (altar décor). For many years, faithful men and women have spent hours upon hours humbly, yet joyfully taking great pride in the beauty of the settings of our worship life. A simple walk through the sacristy following a communion service will find a room of half-a-dozen men, sleeves rolled up, soap and water running, cleaning the communion vessels. Or the changing of the altar color from white to green takes six women to accomplish (not to mention the cleaning and scrubbing of the altar following the splashing, spraying, or the downright spilling of communion wine upon the altar linen). The list of those who contribute to the behind the scenes preparations of worship is seemingly endless. More time and effort are spent preparing the settings of worship than most would possibly imagine.
FACTOIDS THAT MAY INTEREST ONLY ME
-I’ve adopted a procedure (that may or may not have pre-dated my time here) of kneeling during the confession of sins during communion Sundays, and standing during non-communion Sundays.
-The practice of chanting the liturgy in worship was largely instituted due to the simple science of acoustics. The sung word carried more effectively and with more clarity than the spoken word in many large sanctuaries. Logic would dictate that upon the advent of electronic amplification, the need for chanting would cease, but it became such a beloved staple in worship to some that chanting continues in many churches. I do not prefer to chant, but certainly am very comfortable doing so from time to time for the sake of traditional pleasure.
-The baptism of a child is found in Jesus’ words “I baptize you in the name of the Father, Son, and Holy Spirit”, and that is all. Everything else that surrounds the order of baptism in a worship service is adiaphora (neither commanded nor forbidden). I find the four pages of single-spaced baptismal liturgy in LSB (p.268) to be wonderfully thorough in theology, but rather taxing in practice. This is why I skip large portions during our baptisms at Guardian.
-The traditional “extending the hand of peace” is not seen much at Guardian lately. I realize that this has been a practice that has been enjoyed by many, and I realize that it is, indeed, missed by some. My thoughts on the subject are multifaceted and quite thorough. Look for next month’s edition of The Messenger to further examine this topic.
-The distribution of communion is found in Jesus’ words “Take and eat…”. How communion is distributed is adiaphora. I appreciate the opportunity Guardian traditionally offers to take one’s time to contemplate, reflect, come, kneel, receive, return, and rejoice, but I also find a celebratory tone in the continuous line method. Guardian is further exploring the chance to offer more opportunities to receive in this manner.
-The communion servers prepare themselves not only spiritually in prayer, but also practically, as they wash their before serving. The pastor also sanitizes his hands at the altar immediately before communion.
-There are primarily two reasons I don’t like to use the pulpit to preach. One is that I have never been comfortable being far away and isolated from people as I speak (to me it feels a bit cold and impersonal). In my first church, St. Thomas, Eastpointe, the pulpit was located behind the altar, a veritable triple-barrier between God’s Word and His people (the communion rail, altar, and pulpit). Secondly, I feel constrained in a pulpit. I like to move as the Spirit moves me… literally!
-I have spent years of Sunday mornings in robes and chanting, and years of no robes and guitars, but if given a choice, I prefer the vestments (robe/stole) along with the variety of worship (organ or piano, new or old, just not the same over and over again).
-“This is the Feast”, the traditional Hymn of Praise (est. 1982) is just that… a hymn. I love “This is the Feast”, but I also love “Holy, Holy, Holy”, “Thy Strong Word”, and “Shout to the Lord”… and I don’t want to sing them every Sunday. It is my pastoral practice to sing “This is the Feast” as often as we sing our other favorite hymns throughout the course of the year. Most of the favs will be sung 3-4 times every year.
-Although I am very much in favor of creative worship, there are some things I won’t mess with, such as the Lord’s Prayer (“Thys” and “trespasses” will stay) and the Creeds (although we use confession of faith from the Lutheran Confessions, the creeds should not be altered).
Ok, for those of you still reading, I need to end this article at some point, because as I sit here writing, I’m realizing that there doesn’t seem to be an end in sight. So consider it finished… for now.